Cellars are the bane of my existence.
You’d
be right to assume there’s a touch of hyperbole in that statement, but
trust me: The exaggeration is slight. Obviously there are other, banier
banes which are more bane-like. Infectious diseases, Pauly Shore movies,
and French fries without ketchup are all somewhere near the top of the
list.
But
there’s a certain dread that accompanies the prospect of delving into a
cellar, even if it’s one of those posh, rec-room cellars with a dart
board and collectible beer signs. ‘Cause see, this fear has nothing to
do with dim light, dank walls, or overall potential creepiness.
It’s the ceilings, man. They’re too damn low.
Ever
hit your forehead on an exposed water pipe? It creates a note that’s
almost musical. Somewhere there’s a new-age recording artist wearing
silver bracelets and a gold ascot, lips dry from blowing into a
pitch-pipe, looking for just such a sonorous clang to complement some
trippy meditation on the life-giving properties of tropical rainwater. I
can picture the song now. Bubbling streams give way to a chaotic chorus
of wind chimes, and then bong. Some dip whacks his noggin on low-hanging metal, hard enough to cause a
bump the size and shape of a garage door opener, and voila. Masterpiece complete. For Pete’s
sake, I need to stop riding on so many elevators.
I
don’t blame cellars, per se. I blame height. I’m a tall dude living in a
world made for normal-sized people, and the longer you live in the
clouds, the more likely you are to encounter some unexpected
limitations. It was great when I was a kid, ’cause I could ride all the
cool roller coasters while my knee-high friends were all putting around
on the antique cars, which provide a thrill roughly on par with darning
socks. Back then I thought I was pretty awesome. Now I enter a house
with low ceilings and feel like the only way I can escape is via some
impossible Houdini-type trick, contorted limbs all tied up in knots. One
of the major networks should send a camera crew to film me crawling
around a dorm room. David Blane never attempted something so
challenging.
Yeah, I know, I’m whining about a trait that many people wish they had. But it ain’t all hookers and blow, lemme tell you.
First
of all, it’s a particular nuisance when you’re a bald man. When your
hair’s shaved down to the nitty grit, your head automatically becomes a
target, somehow violating the laws of physics by gaining gravity while
losing mass. In all the years when my follicles were fertile, I slammed
my head on random crap probably fewer than a dozen times, and that
includes my early experiments with drinking. Now, with my scalp as naked
as a newborn baby (but only half as gross), objects are drawn to it
like an asteroid to a barren planet. I’m surprised I can walk outside
without being bombarded by a maelstrom of tree limbs, potted plants and
air conditioners.
More
vexing, though, is the scale of things. I’m 6’4”, just shy of freakish,
and yet it sometimes it feels like the world is a poorly-made doll
house. I can only guess at what life is like for Shaquille O’Neal. Does
he even have a cellar? If I were
him I’d put my ping-pong table in a bomb shelter and call it good.
When
I was about 15, I visited the Paul Revere house in Boston. Beforehand, I
was warned that colonial dwellings were a bit more snug than I was used
to, what with the smaller stature of men and women living in the 1770’s
– something to do with peoples’ diets, I was told. I guess you don’t
grow much when your food intake consists primarily of squirrel meat and
damp wood. But there was no warning that could have prepared me for the
shoebox proportions of this venerable patriot’s former home. Because of
Revere’s standing in history, we tend to think of him, and other early
Americans, as larger-than-life figures, somewhere on a scale between
Lebron James and the Jolly Green Giant. If his dwelling was any
indication, though, I’m guessing his legend has been exaggerated. The
story maintains that he rode the streets of Boston on horseback,
shouting warnings that the arrival of British troops was imminent.
Judging from his former abode, it seems likely that he actually rode on
the back of a house cat, spreading his warning door-to-door in the form
of handwritten notes left in peoples’ shoes. He wrote them with mouse
whiskers dipped in ink and then sealed them in envelopes the size of
mosquito wings.
It’s a small house, in other words.
And
if you haven’t been there, you should go sometime. Not just to soak in
some early American history, but to experience the life of the
vertically endowed: bumping shins on tiny rocking chairs, walking around
with knees bent at 45-degree angles, and shimmying past microscopic
writing desks to get to the living room, which is only a hair larger
than a box of dog biscuits. Good times.
I
should probably devote some minor effort to acknowledge that, yes,
height has its advantages. The greatest benefit is at standing-room-only
concerts, where my view is very rarely obstructed by the obscene neck
tattoos of my fellow rockers; there’s generally nothing between my eyes
and the stage save for maybe some acrid smoke and the flying bra or two.
I just wish it was a power I could turn on and off – scaled-up for
live shows, diminutive for those times when I have to ride in the back
seat of a Pinto. It would also come in handy if I were ever stuffed in a
trunk with a burlap sack over my head, but so far I’m only running that
risk in New Jersey and Mexico. Thank goodness for borders.
What
freedom that power would grant. It’s a nice fantasy, anyway – to walk
through a cellar without the threat of brain-scrambling head whacks. As
always, a man can dream.
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