Wednesday, February 26, 2014

Gone from the charts but not from our hearts

Out of the mouths of babes emerge comments that make me feel like an old fuddy duddy.
 
One of the occupational hazards of being a photographer is that, occasionally, I run into kids who remind me that I’m no longer one of them, and they would know. The latest instance occurred a few weeks ago when I was grabbing some shots at an after-school youth program in Biddeford. I was chilin’ with a couple of fourth- grade girls in a study lounge – do kids still say “chillin’?” – when the conversation turned to music. 
 
Music is a subject that’s right in my wheelhouse, so I thought we were covering safe terrain. But when I asked one of the girls what she enjoyed listening to, her answer left me positively flabbergasted.
 
“I listen to a lot of stuff, like Eminem and Shania Twain,” she said. “I like a lot of different kinds of music. I don’t really like heavy metal, though. It’s old people music.”
 
Wait, what?
 
It wasn’t a response I was prepared for. I was shocked. Stymied. Mystified. If my jaw had dropped any farther, I would have whacked myself in a sensitive man area, and spent the rest of the day cursing my fate, all in the voice of Mickey Mouse taking massive tokes off a helium balloon.
 
See, I’m a metal guy. Like the young lady, my tastes are varied – gimme some smooth jazz or classic rock any day of the week, brother – but when I hear a crunchy guitar riff that could singe eyebrows from across a football stadium, that could peel the paint from a sports car, that could melt the wax holding together Joan Rivers’ face ... well, it does something to me. Something primal. It stirs up my innards with an iron finger, stoking a joyous rebellion that would shame the warring Scotsmen of “Braveheart.” If it were in any way socially acceptable, I’d respond to the opening riff of Metallica’s “Master of Puppets” by felling a mountain lion with my bare hands, hosting it above my head in the town square, and yelling “Freedom!” until my vocal chords were so much charred meat. Then I’d slink away for about a week, because that would be stupid.
 
But you know, I look at some of my metal heroes today, and while they still rock the house, you can see the crows’ feet and gray hairs sprouting like dandelions. Dave Mustaine, the frontman for Megadeth and a legendary drug fiend, is starting to look like a rumpled mail sack. Time makes fools of us all; that’s true for musicians and fans alike, except for the members of the Rolling Stones, whose organs are preserved under a thick crust of cocaine.
 
When the girl spooked me with her old people comment, that’s when it occurred to me: If I can make it to old age, I’ll be listening to this stuff in a retirement home. It’s hard to imagine how that would work. 
 
A couple years ago, during a different assignment, I found myself at one such retirement home shooting some photos of a pianist who had come to entertain the residents. The songs he played, naturally, were selected from the era in which that generation came of age; the set was heavy on Sinatra and Martin and some of the public domain ditties from the great American songbook, tunes that the house bands on late-night shows can play without cracking open the company wallet. It was fun. The piano guy was a good player, the residents were clearly enjoying themselves, and even as I was contorting myself to get various angles, my toes kept tappin’ to the rhythm. If I had stayed any longer I’d have played a few rounds of canasta in a pair of pink slippers.
 
That kind of music, naturally laid back and mellow, is a nice fit for the age group. More difficult to imagine is Piano Man ripping into a frenzied acoustic version of Slayer’s “Angel of Death.” I picture a cluster of elders leaning on their canes in a geriatric mosh pit, with Dolores from 309 hip-checking her friend Beverly into the snack table during the blistering solos. Then, when Slayer morphs into “Bring Your Daughter to the Slaughter” by Iron Maiden, all the World War II veterans who fought in Iwo Jima can stage-dive off the beverage cart and crowd surf while dousing themselves in beer.
 
Seems like a farfetched scenario. But when “old people” like me reach that age, there’ll at least be a handful of us still taking bands like Anthrax and Black Sabbath for a spin. This should make for some interesting musical requests during these special events; maybe future musicians who play the retirement home circuit will be dragging around Flying V guitars instead of settling gingerly behind the keys of a stately Steinway. They’d better be prepared. Not all of us are hip to Shania Twain.
 
Granted, metal’s a fringe genre. It mainly appeals to people who have unruly body hair and wear lots of leather. I’m sure that others in my age group who’ll be enjoying their twilight years will be perfectly content to whistle the day away to the soothing strains of Michael Buble or Adele, and that’s fine – I’m a man, I can take it. But no amount of aging will ever convince me that Megadeth’s “Holy Wars” isn’t the greatest things since the invention of Fluffernutter. 
 
Mmm. Fluffernutter.
 
Maybe the young girl is right; maybe metal’s made the leap from empowering youth music to rusted artifact of a time gone by. Gives a guy some outside perspective on his life, at least. What’s comforting is that the accumulated years have given me some perspective of my own; and I know there’ll come a time, one day, when someone says to the girl’s grown-up counterpart, “You know, I don’t really like Shania Twain. It’s old people music.”
 
Won’t that be the day. And I. Can’t. Wait.

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