My
parents used to take me to the circus when I was a kid, which probably
explains many things, from my love of elephants to my near-crippling
cotton candy addiction. (If it had any nutritional value at all, I’d
eat nothing but.) I used to love these experiences. A few of my friends?
Not so much. They were afraid of the clowns.
Clowns
never bothered me on any profound level. They weren’t necessarily my
favorite part of the circus -- that honor was reserved for the
big metal ball with the speeding motorcyclists -- but I thought they
were generally fine. Sure, some of them could be mildly irritating,
especially when they approached me out of nowhere and started making
nonsensical hand gestures and clomping around in their
surfboard-sized shoes. You sort of felt like giving them a sedative and
letting them zonk out in front of a TV documentary about the history of
bread. But they didn’t seem very frightening. Not like poisonous
snakes, for instance. Or Lady Gaga.
Yet
chances are good that you know at least one person who is deeply,
skin-crawlingly afraid of clowns. When I first became aware of this
phenomenon,
I said to myself, “Well, this can’t be too common a thing. It’s
probably rare, like gluten allergies or membership in the Pauly Shore
fan club.” Then I discovered that I was wrong. And that I talk to myself
too much.
It’s
so common a fear that it’s been given its own unofficial “phobia” name,
coulrophobia. According to the website WiseGeek Health, it’s the
third leading phobia in Great Britain, trailing only spiders and
needles, and ranking higher than the fear of flying. Which is
surprising. Flying involves strapping yourself into a 75-ton metal tube
and speeding over the earth at altitudes around 39,000 feet.
Equipment malfunction means plummeting toward the ground in a
claustrophobic arrangement with justifiably panicked passengers
screaming and clasping their hands in prayer. Yet, if the statistics are
accurate, most of those passengers would rather be in that
plane than see a man with a rubber nose making balloon animals. Go
figure.
Everyone
who fears clowns has their own personal reasons, and while I haven’t
been able to locate any in-depth data on this, it’s a pretty
safe assumption that a lot of this fear has to do with how clowns have
been represented in popular culture. Books and films are too often
dismissed as trivial entertainments; how they portray things actually
matters. If movies depicted werewolves as furry,
lovable creatures with cute little button noses who like cuddling, they
wouldn’t make for very popular Halloween fodder. They’d star in their
own Saturday morning cartoon show and have their likenesses reproduced
on lunch boxes.
Poor
clowns. They don’t stand a chance -- not when they have to go up
against two very unflattering pop culture depictions. The first “scary
clown” depiction that comes to people’s minds is probably Pennywise,
the evil clown from the Stephen King novel “It.” Pennywise is a
fang-dripping, bloodthirsty monstrosity that lives in the sewers and
terrorizes children, and while he’s obviously pure fantasy,
fiction has a way of sticking in one’s head. Especially when that
fiction entails a pasty, bloated gasbag of a face speckled with the
blood of his victims. Jeff the horror-lover thinks that image is totally
rad. Jeff the bleeding-heart feels sorry for the
clowns who drive those tiny cars in every parade. Here they are just
trying to entertain people, and they have to contend with a character
who’s wrecked more lives than John Wayne Gacy. Brutal.
Pennywise,
however, isn’t actually a clown. He manifests himself differently to
different children, and the main character of “It” sees him
as a clown, as I believe a few others do as well. But there’s no
ambiguity about the second “scary clown” in pop culture mythology.
Though fictional, there’s nothing supernatural about him, which makes
him even scarier.
I’m assuming you’ve heard of The Joker.
This
menacing dude first appeared in 1940 as an antagonist in the Batman
comic books, and since then he’s been portrayed by hordes of different
actors in both animated and live-action adaptations. (The most notable
is Heath Ledger in “The Dark Knight.” Simply put, he’s fantastic in the
role.) In most of these depictions, The Joker is presented as an
unstable, violent, murderous psychopath, which is
set at odds with his colorful appearance: pale face, green hair, red
lips. It’s the juxtaposition that’s truly frightening. It’s like if the
Easter Bunny was a serial killer. If Batman’s primary foe was a giant
pink rabbit who hid explosive eggs around Gotham
City, you’d see children ducking for cover when they pass the bunny
display at the petting zoo.
(Also, note to self: Develop killer bunny character for comic books, make fortune.)
The
Joker and Pennywise have conspired to propagate an image of clowns as
evil, twisted creatures. Part of me -- the part that should probably
be institutionalized -- loves the whole motif. A flower on a lapel that
squirts toxic chemicals? Poisoned playing cards and lethal laughing
gas? I’m in. Sign me up. And throw in one of those creepy, maniacal
laughs while you’re at it, just to get my hackles
a-twitchin’. I live for that kind of stuff.
I
just feel sorry for all the coulrophobes out there, not to mention the
clowns themselves, who are just trying to be silly and entertain.
Perhaps one of these days the cultural winds will shift and their image
and reputation will be vindicated; an all-clown rock band will top the
music charts, Bozo will discover a cure for cancer, and all will be
right once more in Clown Town. It could happen.