Like
a lot of people, I go into a karaoke situation with way more confidence
than is justified. With the microphone in hand and the opening beat of
some classic pop song thundering through the speakers, I wait for the
lyrics to appear on the sing-a-long screen and think, “I’ve totally got
this. The song is in my range, I know the words by heart – I’m gonna
blow the doors off this joint, send everyone to their knees. Bring it
on!”
Then
I belt out the opening line, and everyone starts looking around in
confusion, as if the sounds of a fire alarm with dying batteries were
filling the room instead of the first verse of “Billy Jean.”
That’s when I remember: Oh yeah! I can’t sing!
When
it comes to that initial false confidence, I can tell I’m not alone. A
lot of people who do karaoke bellow a tune’s first syllables with the
self-assuredness of a young, pre-cocaine-and-sideburns Elvis Presley.
Unfortunately, they usually sound like a crow being zapped by an
electrified fence, and follow their bold start with a meek, apologetic
performance that at times is borderline inaudible. For which we, the
audience, are grateful.
This
is usually a drunken affair. In fact, were it not for alcohol, karaoke
may not even exist, at least not to the extent it does today.
Think
about what karaoke is for a second. A half-sloshed reveler gathers up
his or her courage, stands at the front of a bar and selects a song
performed by an artist who can actually sing. Then they – a person who,
based on the law of averages, probably can’t sing at all – proceed to
murder the song with vocal chops that make them sound like an owl being
strangled by a mob goon with a fistful of piano wire. The audience that
endures this display does so because they’re all half in the bag
themselves, whooping and chortling their way through a rendition of
“Heartbreaker” that could peel the chrome off a doorknob. Then cousin
Betty drops the microphone and slinks back to her seat, calculating how
long it’ll take for one of her smartphone-wielding friends to upload
video evidence to YouTube. (Answer: 30 seconds, tops.)
To call this bizarre would be an understatement.
Yet
there are people who live for this sort of thing. A few years ago, I
attended a birthday shindig for a friend, “Bathsheba,” who was then in
the throes of a full-on karaoke obsession. The event was held at a bar
(where else?), and the crowd was divided into two distinct camps: Those
who were excited to sing badly and hear others do the same, and those
who huddled at the bar, hunching over sweaty beer mugs and ostensibly
hoping they’d be graced with a swift and merciful visit from the Angel
of Death. I straddled the line between the two factions, supportive of
my friend on the one hand and deeply apprehensive on the other. Perhaps
foolishly, I hoped that our would-be band of minstrels would choke under
pressure, and we could enjoy “Sweet Caroline” as sung by Neil Diamond
himself – the way it should be in any just universe.
My
hopes were dashed when Bathsheba mounted the stage. She’s a curious
one, Bathsheba. An exhibitionist even under ordinary circumstances, when
fortified by booze she transforms into an unrestrained diva, basking in
the spotlight with the self-assurance of an accomplished pop star –
minus the entourage, wealth and record deal. Truth is, when she opens up
her pipes to sing, the most positive reaction she gets is from the
hippopotamuses at the zoo, who think a lustful mate is advertising for a
late-night booty call.
She
chose to sing a Matchbox Twenty track, “Real World,” and while I’m not
typically a pop-rock guy, I actually kind of dig that tune. The problem
is that any rendition by an amateur is the equivalent of warping a song
in a funhouse mirror: It kind of
resembles the original, and you sort of want to enjoy it, but its altered state makes you vaguely
uncomfortable. You could tell that certain members of our group wanted
to dance or move around, but were overpowered by the desire to watch
Bathsheba’s hatchet job. The song was annihilated so thoroughly it was
actually a little magical.
Love you, Bathsheba.
The
fact that we all made it through the evening is a testament to how
powerfully our behavior can be affected by a pitcher of beer. From an
early age, you hear warnings about the dangers of alcohol, and rightly
so; only a potent substance can alter our perceptions so completely.
Under its influence we paint sports logos onto our faces, yell at
inanimate objects and wake up next to members of the Pauly Shore Fan
Club. Its ability to stretch and bend our judgment is maybe the best
explanation we have for why karaoke enjoys such high levels of
popularity. It’s either that, or alien beings are slowly filling our
atmosphere with a delirium-inducing gas. They’ll soon rob us blind while
we sway to a glass-shattering take on “Love is a Battlefield.”
I’ll
say this about karaoke, though: It seems to make people happy. That’s
more than you can say for some other hobbies, like collecting stamps or
rooting for the Chicago Cubs. I’m happy to regard it as a curious
oddity, providing there are no karaoke bars within a five-mile radius of
my home. My windows rattle easily, and there’s only so much Top 40
butchery a man can take.